*****"A wonderful coming-of-age story meshing dark experience with the dictates of religious rules and heavenly mercy, this is a book to savor and remember long after reading." Sheila Deeth
*****"A novel with a lasting effect…highly recommended!" Amazon.com
*****"A heartbreaking, beautiful, romantic story, if you ever find the same love that these main characters have keep it!" Book Girl Addict
*****"Leret displays a deftness with language and dialect that leaves the reader feeling eerily connected with the teenaged protagonists, who feel severed from the society in which they live." Marjorie. GoodReads
*****"a work of genius." Steve Emmett
This is a copy of the article that I wrote for Sheila Deeth's blog.
When I began Heaven Sent, it was a eureka moment, not in the sense that I had cracked something profound like light speed or the secrets to eternal life, I just knew that I had started my first novel. I hadn't set out to start it. It wasn't like when I wrote plays. I would announce that my theatre company was going to tour a play and it would be about this or that, and then I would write it. Heaven Sent didn't begin like that. I just wrote a thousand words. That thousand words were about sixteen year old Carlo, except that then he was fourteen. In that thousand words were three sentences where Carlo, a lad from an extremely religious background met a girl called Daizee, whose step father sold her to sailors from out the back of his van when she was just three years old.
None of that first thousand words made it into the novel, even though at the time I thought they were a brilliant thousand words. But what I thought was really special was Daizee and Carlo. Carlo was like everything that I wanted to be but didn't have the courage to be. And Daizee – well I just saw her through his eyes and she was dazzling. She was everything that would scare the hell out a parent. Crude, guttural, hard and yet vulnerable – though she would only show that side to Carlo. But more than this, she understands life. She knows that nothing is what it seems because she has been abused by the upright as well as the lowly.
Two weeks later I had sketched out what I thought the story would be. Then of course the characters decided to take over the narrative. Daizee and Carlo taught me how to write the book. They were very patient. They let me veer off on tangents and experiment in style. They let me have two or three years off when I wrote other plays or made a couple of movies – though they were talking to me constantly – Daizee especially. She was in my ear all the time. When I wanted to give up she would curse me, calling me all sorts.
Just after Christmas a year ago I sat down to finish the story, nothing was going to get in the way. I hadn't touched it for a year and I was angry at myself for not completing it.
Back then I thought Daizee and Carlo would have an equal presence. I wanted it to be equal. It took me half of last year to realise that actually it was really Carlo's story. Not to denigrate Daisy – I had written huge passages of her back story, that were shocking and disturbing – some of it I still think is extraordinary, but it was too much for most readers. And it wasn't very present, it was in the past and a story needs to move forward. I had written her stuff as first person narrative, she spoke directly to the reader and because it was so disturbing it was alienating. Heaven Sent is dark as it is, but to have added in that detail would have put off too many readers. So I/we compromised. Also during this last year I cut all the work of the five previous years. That was difficult.
Daizee's accent is thick Bristolian. Bristolian is almost like another language. I began to experiment with the accent over the summer and found that it made me experiment with her vocabulary. Using the accent gave her a very clear poetry and rhythm. I loved the way that visually it stood out from the page. It makes Daizee appear from out of this world. I think also it immediately makes people prejudiced against her – which is how most of the characters in the book are when confronted by her. She is difficult to understand and her accent will suggest to many that she is trash. But not to Carlo. And because he listens and loves… then perhaps…
Welcome to my online notebook. Here you can find out about all the things that I am up to - but way better than that, is that I post my works in progress. This includes stories, chapters from longer works and bits of film too. Let me know what you think.
Interesting. I have to say that I'm about half way through the book now and am really enjoying it. Those catholic images remind me of my childhood. This is quite an experience.
Hi Steve, that’s very kind of you to say. Yes, those images do haunt you. Once they have you…